"Millions are to be grabbed out here, and your only competition is idiots. Don't let this get around."
--Herman Mankiewicz, telling Ben Hecht about Hollywood
A long time ago in a galaxy far, far away, a fellow by the name of George Lucas worked out a legendary deal with 20th Century Fox regarding the merchandising rights for what was then expected to be a flop -- a film called Star Wars. In short, Lucas got to keep all the rights, and the result has earned him billions. It has also permitted him to make the other Star Wars films independently, without any interference or "notes" from any studio.
On April 28, Motley Fool Stock Advisor recommendation Marvel Enterprises
But now, the plan has been altered. Marvel has made an arrangement with the new management at Paramount Studios, a subsidiary of Viacom
The box-office take from Spider-Man, Spider-Man 2, X-Men, X-Men 2, The Hulk, The Punisher, Daredevil, and Elektra is a combined $1.5 billion. Oh, and that's just the domestic box-office number. The worldwide gross is double that. Now, I don't expect such stellar results from this batch of 10 Marvel characters, but if the company continues to hire good writers, good directors, and name actors, it will be setting the stage for enormous returns in the theatres. None of this even mentions the merchandising or DVD revenue streams.
Specifically, the distribution agreement specifies that Marvel may deliver up to 10 films to Paramount over an eight-year period, with the first titles including Captain America and Nick Fury. Marvel's budgets for each film may range from $45 million to $180 million.
You might ask, "OK, but who pays for the darn movies now?" The answer is. Merrill Lynch
Here's why this part of the deal is so sweet for Marvel shareholders and the company alike. First, Marvel doesn't risk its own cash. That's a good thing. Movies are expensive, and their box-office returns are pretty hard to predict. If those Marvel characters do get sold off because of a default, the Hollywood studios that buy them would probably come right back to Marvel to seek the company's expertise on developing the characters into films.
As mentioned, Marvel gets to keep the bulk of the box-office and ancillary revenues. The potential is absolutely enormous, provided that the company continues to make good films. And given the creative team over there -- Avi Arad and Kevin Feige -- I am not a bit worried.
In fact, it is exactly this concept -- making good movies -- that insiders say is a major reason why Marvel made such a move. The gossip out here in Hollywood is that the studio that financed Daredevil and Elektra tinkered ("interfered," if you believe some folks) too much with the scripts, and the films were ultimately not very good. Let me tell you why I think this bit of gossip is true. I read the original draft of Elektra, by Stu Zicherman and Raven Metzger, and it is far superior to what ended up on the screen. If rumors are true that star Jennifer Garner did not want to do the movie after the Zicherman-Metzger script went through various rewrites, then it supports the theory that Marvel wanted to control its own creative pipeline.
Some people may argue that lesser-known characters like Daredevil and Elektra do not have big box-office potential. I say that's hogwash. I think that word got out about how disappointing those two flicks were, and that sandbagged the box office. Meanwhile, my wife, who hates comics and had never heard of X-Men, loved both movies. and Spider-Man. If the movie is good, they will come.
What we're looking at here is a move by Marvel to become the next George Lucas. Pixar
But remember, movies are a dicey business. I advise folks to keep up on the scripts, production, and finished films by visiting film geek websites like aintitcool.com for the scuttlebutt on Marvel films. If the buzz on those sites is good, Marvel's stock will likely fly higher than Superman ever did. And for the record -- and in the spirit of full Fool disclosure -- I bought more stock the day of the big announcement.
For more on this Marvel-ous company, check out:
- Steven Mallas' concerns about the deal, a perspective I disagree with. (Sorry, Steve.)
- My lunch with Stan Lee, and how I learned about the key to Marvel's success.
- What Marvel's recent business plan looked like.