We're now just a week away from when Netflix
The video service giant's first original series stars Steven Van Zandt as a mobster sent to Lillehammer in Norway after ratting out a mob kingpin. The inaugural season will play out over eight episodes.
I can't be the only one that figured that when Netflix begins rolling out its original programming -- Lilyhammer next week, House of Cards later this year, and the Arrested Development revival next year -- that the new episodes would be dispensed in weekly installments.
It's the way that traditional television does it. It's the way that Time Warner's
Well, we should all know by now that Netflix isn't afraid of taking chances. Instead of milking Lilyhammer through eight weeks of social buzz and cliffhanger chatter, Netflix is making all eight episodes available on Monday after the Super Bowl. Who needs a trickle when you can have a deluge right now?
"Netflix's brand for TV shows is really about binge viewing," CEO Reed Hastings explains during last week's conference call. "It's the ability to just get hooked and watch episode after episode. It's addictive. It's exciting. It's different."
"Our release strategy for original content emphasizes that brand strength, which is to be able to get hooked and pour through those episodes rather than get strung out. And we're not particularly focused on a single show for driving retention. It's the expectation of more and more shows that really drives retention."
It's hard to question Hastings after delivering better than expected quarterly results last week. However, is this really Netflix's smartest strategy?
Stretch out Lilyhammer over eight weeks and you'll have viewers locked in for at least two months. What's the point if someone can just go through the entire series over a lazy Sunday? Perhaps more importantly, what becomes of the social nature of television?
When Dexter throws viewers for a curve, everyone's talking about it the next day at the office. When The Office pushes the sit-com envelope, Twitter's giving the move some viral mojo that same night. What will happen when one co-worker is done with all eight episodes by next Tuesday? Will it still be relatable to the person that doesn't get around to it until the summer lull?
None of this would matter come April. Everyone would have access to all eight episodes. However, the buildup between now and then -- the kind of buzz that would woo ex-subscribers back to see what they're missing -- is gone under Netflix's approach.
Fresh vs. frozen
Why is Netflix reinventing the reel?
The flick flicker has boxed itself into the anti-fresh model. It had no problem telling Time Warner to take 28 days before sending it new DVD releases because it believes -- or wants its customers to believe -- that Netflix subscribers couldn't care less about content that's brand new to DVD.
Now that the Time Warner delay is apparently doubling to 56 days -- a move that Dish Network's
"DVD consumers -- including hybrid and DVD-only -- continue to be weighted toward catalog," Hastings explained during last week's call, pointing out that just 30% of its shipments are new-release oriented.
That's funny. It's always the brand new releases that aren't available for a long time in my Netflix queue.
Netflix also proudly wears the "re-run TV" insult as a badge, preferring to negotiate with studios for past seasons over the current shows that many couch potatoes covet.
Is it really such a surprise that it would blow its first shot at original programming by assuming that's it just another season for customers to stream through?
Back to the future
Netflix is still the undisputed champion here, but the competition is getting smarter. HBO is giving premium subscribers more ways to consume its content on the go. Even Netflix concedes that Amazon.com
Well, if original content is one of the selling points for Netflix over Amazon, why not milk it in a way that can keep its couch potatoes active and talking about fresh content as it's spooned out over time? At least for two glorious months, isn't that what Netflix is paying up for in breaking from tradition by nabbing first-run content?
For a company that's bending over backwards to grant users in this country the ability to share viewing habits on Facebook it doesn't seem to have a firm grasp on the nature of viral buzz.
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